American Gun
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Disjointed, intermittently forceful drama that examines America's gun culture through the lens of three unrelated, but thematically linked, stories: an Oregon single mother (Marcia Gay Harden) and her teenage son (Christopher Marquette) struggling to cope with festering emotions three years after her older boy went on a Columbine-style shooting rampage and committed suicide; a Chicago principal (Forest Whitaker) trying to keep weapons out of his high school, while ignoring troubles at home; and a soft-spoken Virginian gunsmith (Donald Sutherland) at a loss over his granddaughter's (Linda Cardellini) remoteness. Director Aric Avelino follows the multiple narrative template of films like "Traffic" and "Crash," but despite earnestly showing how gun violence can have a domino effect in communities and wreak devastation beyond the immediate victims, the stories never coalesce into a cohesive whole, despite solid performances across the board. Several instances of violence, including a graphic shooting and a suggested attempted gang rape, a brief glimpse of a dead body and a few other disturbing images, a vulgar gesture, as well as much rough and crude language. L -- limited adult audience, films whose problematic content many adults would find troubling. (R) 2006
Despite a ripped-from-the-headlines urgency buttressed by solid performances, "American Gun" (IFC) misfires.
Directed by Aric Avelino, the disjointed, intermittently forceful drama examines America's gun culture through three unrelated, but thematically linked, stories: an Oregon single mother (Marcia Gay Harden) and her teenage son (Christopher Marquette) trying to cope three years after her older boy went on a school shooting rampage before committing suicide; a Chicago principal (Forest Whitaker) drained from fighting to keep weapons out of his high school and blind to problems at home; and -- least fleshed out -- a soft-spoken Virginian gunsmith (Donald Sutherland) puzzled by his college-age granddaughter's (Linda Cardellini) remoteness.
With a multiple narrative template like "Traffic" and "Crash," this movie attempts to explore gun violence as those pictures did drugs and racism, respectively. But despite earnestly showing how the problem can have a domino effect in communities -- affluent and inner city -- and wreak devastation beyond the immediate victims, the segments never coalesce into a cohesive whole.
The stories never overlap as you might expect. (Was Sutherland's granddaughter a student at the Oregon shooting? Are memories of the tragedy what's troubling her?) They just play out separately and then stop abruptly without resolution. In not tying up the narrative threads, Avelino may have been emulating real life, but the bleak overall result is less than satisfying.
The film contains several instances of violence, including a graphic shooting and a suggested attempted gang rape, a brief glimpse of a dead body and a few other disturbing images, and a vulgar gesture, as well as much rough and crude language. The USCCB Office for Film & Broadcasting classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.
Movies have been evaluated by the U.S. Conference of Catholic
Bishop's Office for Film and Broadcasting according to artistic
merit and moral suitability. The reviews include the USCCB rating,
the Motion Picture Association of America rating, and a brief
synopsis of the movie.
The classifications are as follows:
- A-I -- general patronage;
- A-II -- adults and adolescents;
- A-III -- adults;
- A-IV**
- L -- limited adult audience, films whose problematic content many adults would find troubling. L replaces the previous classification, A-IV.
- O -- morally offensive.
** Discontinued classification. All archived movies that were originally in the A-IV category are now classified as L.